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战斗力 鹅
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注册时间 2017-5-6
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本帖最后由 Shi_mmer 于 2019-2-3 18:22 编辑
刚刚把 Frederick L. Schodt 的漫画专著 《Dreamland Japan》选感兴趣的看了一些。有意思的是这位作者对藤子·F·不二雄和《哆啦A梦》赞誉有加，而且他还与藤子·F·不二雄本人对谈过多次（最后一次是1994年），留下了藤子的只言片语：
"Doraemon was the result of an accumulation of experience and lots of trials and error, during which I finally found the pattern or style of manga to which I was most suited."
"My forte is what I call 'ordinary-life gag manga', and when I started creating Doraemon the genre was waning in popularity because there was a boom in gekiga(剧画). But I did my best and kept drawing."
"Both adults and children have wishes, and although the wishes manifest themselves in different ways they have much in common. We may wish for something to happen, to become stronger, smarter, or for an easier life. In a very abstract sense, many of the wishes may be fulfilled in this genre of manga."
"You can't draw children's comics from the perspective of adults and try to create what you think the children will like. You have to create something you really enjoy, that they also happen to enjoy. You have to be at their eye-level, in other words, with their perspective. I guess I have a bit of the child in me that refuses to grow up, because I'm extraordinarily lucky in that what I like to draw, they like, too."
"Doraemon is positive, yang energy, but sometimes I want to draw stories that are more adult, dark, and hopelessly depressing. Alternating helps me keep my balance."
"The manga artist as a profession is glamorized, but it's unstable work. When your work doesn't sell, you have no money. And when it sells, you have no time to use your money. And when you have a lot of income, most of it is taken away in taxes. It's not the sort of job most artists would recommend to their children."（被问及为何自己的三个女儿都不从事漫画相关行业时，苦笑着说）
考虑到我的渣渣英语，就不自作主张地翻译了 以泥潭的水平应该都看得懂吧
另外预祝专楼里的朋友新年快乐啦 |
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楼主: Cristaldo
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发表于 2019-1-10 20:01
