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战斗力 鹅
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本帖最后由 朋友 于 2024-8-29 16:43 编辑
文本扎实，表演真挚是剧作创作表演的核心而不是喜的核心。
两个关于加沙故事的讲述的区别在于故事面向观众的视角，而不是怎么写这个故事的。
如果你搞不明白这个问题还在这钻牛角尖我建议你别回复了。
In the creation of comedy, it is paradoxical that tragedy stimulates the spirit of ridicule; because ridicule, I suppose, is an attitude of defiance: we must laugh in the face of our helplessness against the forces of nature—or go insane. I read a book about the Donner party who, on the way to California, missed the route and were snowbound in the mountains of Sierra Nevada. Out of one hundred and sixty pioneers only eighteen survived, most of them dying of hunger and cold. Some resorted to cannibalism, others roasted their moccasins to relieve their hunger. Out of this harrowing tragedy I conceived one of our funniest scenes. In dire hunger I boil my shoe and eat it, picking the nails as though they were bones of a delicious capon, and eating the shoe-laces as though they were spaghetti. In this delirium of hunger, my partner is convinced I am a chicken and wants to eat me.
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楼主: 古畑任三郎2015
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发表于 2024-8-29 16:00
快进到黑爱情·悟能
