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战斗力 鹅
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注册时间 2011-4-3
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本帖最后由 xwr 于 2018-7-3 14:49 编辑
制作人細井駿介为了动画化本作几年前专门从VAP跳槽到东宝，然后在组建团队时被介绍给了常年打羽毛球的制作人新家朋人，他们和监督还一起去观摩高中比赛。开头的高动感打戏主要由徳丸昌大制作，由总作监木村智进行修正，OP分镜则由吉邊尚希制作，监督江崎慎平本话贡献了数个富有视觉隐喻的分镜。官方推特还提到2015年7月細井，新家和当时的还是候补监督的江崎慎平一起去看了山口茜的比赛，从企划到播出经过了三四年的时间。
https://blog.sakugabooru.com/201 ... duction-highlights/
HANEBADO! 01 – PRODUCTION HIGHLIGHTS
July 2, 2018 kViN
The summer anime season has started in the most intense way possible. Hanebado‘s anime adaptation turned out to be a transformative effort, ditching the source material’s lighthearted start for a bitter, emotional, grand and hot-blooded first episode that won’t leave anyone indifferent. And so it’s time to examine this team’s ambitious approach, also peeking behind the scenes to find out exactly what was their mindset and who’s responsible for this impactful beginning.
Episode 1
Storyboard, Episode Direction: Shinpei Ezaki
Chief Animation Director: Satoshi Kimura
Animation Direction: Keiji Ishihara, Kodai Kitahara
Assistant Animation Director: Satoshi Hattori, Hiroki Itai, Satoshi Kimura
Action Animator: Masahiro Tokumaru
Key Animation: Masahiro Tokumaru, Shujiro Ami, Tomohiro Takayama, Yoko Sano, Kentaro Kawajiri, Katsunori Kikuchi, Chie Nishio, Teruyuki Omine, Naofumi Hashimoto, Ayumi Ikeda, Kanae Hatakeyama, Akiko Fujiwara, Ayako Ito, Fuyumi Toriyama, Masumi Hoshino, Kazuya Takahashi, Motoi Nakamura, Fuko Abe, Satoshi Hattori, Hiroki Itai, Mitsutaka Echigo, Shinya Kitamura, Satoshi Kimura
─ While this kind of backstory is far from uncommon, the events that led to this Hanebado! adaptation are still heartwarming enough to make you root for its success. Producer Shunsuke Hosoi transferred from distributor VAP to the behemoth TOHO a couple of years ago because he wanted a chance to turn this series into an anime. When it came to assembling a team with Liden Films he was introduced to animation producer Tomohito Shinka, who’d been playing badminton for a long time and could funnel his passion for the sport towards this project. They attended actual highschool competitions alongside the series director to do the research that any remotely serious production requires, and their efforts eventually led to this so far impressive show. The groundwork and passion-fueled struggles are similar to those of many other anime, and truth to be told they didn’t have to fight for the project’s existence as much as other cases, but point stands that the people behind this series care about it a lot.
─ And thus, the staff’s intention was to immediately get across that they really were giving it their all. Considering the subject matter, that meant starting off with a sequence that proved their commitment to portraying the sport in the most intense and outright cool way possible. They considered inserting various scenes that either weren’t in the manga or would happen much later as the hook, and in the end settled with Nagisa’s harsh defeat – a good choice all things considered, since the whole episode is dyed with her bitterness. The person in charge of the most dynamic cuts was the main action specialist Masahiro Tokumaru, who’s recently found his footing as an ace animator at Liden; he joined the industry in 2013 as an in-betweener for White Fox, and after trying his luck in various projects as a freelance key animator, it’s Liden’s projects where he’s earned the trust required to show off his skill. Constant movement is his game, with a reluctance to cut corners that can make even theoretically simple shots into huge endeavors. In spite of that constant motion he didn’t sacrifice the feeling of impact or even the solidity of the drawings – supported in this regard by the corrections of Satoshi Kimura, who has the fate of this show’s animation resting on his shoulders. So far so good!
─ Before tackling the episode itself, the opening deserves an intermission. It was directed and storyboarded by Naoki Yoshibe aka yotube, perhaps best known for his sequences on Jojo’s Bizarre Adventures and Gatchaman Crowds. His multifaceted digital art makes him one of the most interesting rising figures in anime, but we can skip his introduction since we already wrote an entire post to get people acquainted with his work. His return to opening direction offered known qualities, like his trademark effects that define the aesthetic and the uncanny ability to combine different types of craft, while also threading together a strong sequence; I’m fond of the teasing of the cool badminton skills first before the opening unleashes itself and returns to their full forms at the end, at which point they get to literally blow away the credits in classic yotube fashion. The crew of animators responded to the high demands of the directors as well, as seen in the nicely acted visual representation of their relationship animated by Naoki Okada, and obviously during the relay of eye-catching badminton plays. Though yotube’s own cuts are the most perfectly fitting as you’d expect, it’s again Tokumaru who left the biggest impression with this ominous, memorable shot. If the fancy intro wasn’t enough to grab people’s attention, this opening will do the trick.
─ You might think that after all this initial intensity the episode would calm down, but the Hanebado! anime was born with all dials turned up to eleven. If you’re of the opinion that shows must earn their conflict before raising the emotional volume then this melodramatic approach might put you off, but director Shinpei Ezaki at least made sure to marry that tone with equally grand execution. The solemn shots, many vast layouts that spell out the conflict as loudly as the series of visual metaphors, it’s all sold with intensity to match the sentimentalism. This adaptation is clearly a transformative take on the original, a thought-out attempt to turn it into the hotblooded spectacle the manga eventually becomes from the get-go. And before defenders of the sanctity of the source material come raise their voice, keep in mind that this is something that’s happening with the approval of the author. Just look at this long thread with the manga editor and the anime’s producer sharing their thoughts about the episode as it aired, commenting on essentially everything. It would have been much easier to follow the lighthearted beginning of the original as it was, but the entire team is committed on drastically changing the structure to showcase the essence that actually attracted them to this series.
─ If I were to point out any grievances regarding their approach, it would actually be how ambitious it is. A good thing on paper of course, but whether the staff will be able to live up to these demands in the long run remains to be seen. While I appreciate Ezaki’s thorough storyboard full of small movement, the situation would remind me too much of Just Because’s director Kobayashi almost crashing the production by not keeping the team’s limitations in mind, were it not for the fact that Ezaki takes a step back when filming and makes it slightly less taxing. Truth to be told, the team as a whole doesn’t have acting finesse in the first place, which makes the excellent tense scene in the clubroom stand out as the exception. Perhaps some guest animators could address that, but for now the most noteworthy outsiders are the likes of Mitsutaka Echigo: known for her gorgeous art (and undying love for Cinderella Girls‘ Anya), not so much for acting nuance. And if we’re talking about shortcomings that don’t let them fully live up to these big ideas, Ezaki’s own struggles with 3D camerawork and space were exemplified by the moment where the protagonist’s outrageous skills leak through – it doesn’t make space clear nor the movement easy to read, which would be no issue if she was at least portrayed in really cool fashion rather than just sort of awkwardly saving her friend. Minor nitpicks in the grand scheme of things, but if the show as a whole ends up having problems, I feel like they’ll be related to this: big ideas that the team could struggle to properly execute. Worth the bet in my opinion!
Support us on Patreon to help us reach our new goal to sustain the animation archive at Sakugabooru, Sakuga Video on Youtube, as well as this Sakuga Blog. Thanks to everyone who’s helped out so far!
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楼主: xingenge
沪公网安备 31010702007642号 )
发表于 2018-7-3 10:34
论态度问题，魔王之后还会在比赛过程说怪话，动不动就嘲讽脸怼人，去拜托人还用二柱子的那一套“别废话快帮我特训”，甚至还会一脸忧郁地问“我太强了尊重不了对手怎么办”，动画里第一集里已经能算是在没拿球拍时对陌生人的客气态度了
动画改的很棒啊 画面张力十足 十分期待 看得我心潮澎湃 想起了以前打羽毛球的日子 尤尼克斯 解封！！！
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