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战斗力 鹅
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注册时间 2021-9-26
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本帖最后由 TOYSTORY 于 2022-3-19 23:44 编辑
趁人品王剧还没开播胡扯点。据说不止海登连奎刚也可能回归，预告里在塔图因玩沙子的少年天行者造型也像他爹。真的有几分前传1再临的感觉
对星战正传前传的观点跟我们不同这个也说很多次了，外网看到个评论有点意思：
I think it all stems from the fact that growing up as a kid, I never had much of a connection to Star Wars. The Phantom Menace was the first of the films I can distinctly remember seeing in a theater, and unlike many of my friends, neither of my parents were particularly into the franchise. To me, Star Wars was a series of relatively older films with so-so special effects, silly costumes, and a main villain who, from the looks of it appeared to be a grown man wearing an extravagant bathrobe and a helmet
At age nine, The Phantom Menace was almost exactly what I wanted out of a space opera for kids. Cool weird planets, even cooler ships, and just enough allusion to the larger story looming in the future that it felt like I was, for the first time, beginning to see what all of the fuss was about. But just as I began to consider myself something of a fledgling Star Wars fan, I got my first real taste of fandom backlash from an older generation of enthusiasts who, in retrospect, were dealing with a series of emotions that I didn’t quite understand, but drove me away from the series all the same.
The Star Wars prequels are not exceptionally good movies, but they aren’t particularly awful, either. Rather, they’re a dramatic shift in style and tone from the original trilogy that catapulted the franchise and its cast to superstardom. But the vehemence with which people pooh-poohed the new films (and still do) spoke to something that has always unsettled me about the Star Wars fandom.
For some, they’re formative parts of their childhoods—crucial pieces of art that helped them become the people they are today. In Star Wars, many fans have found friends, family, and community in a way that I can recognize as being deeply powerful and emotionally fulfilling. But there’s a way in which the largess of Star Wars has the odd ability to bring out a kind of feverish fanaticism in people. Everyone feels as if they own Star Wars because they love it, but when a fandom gets that big, trying to find your place within it can become a daunting and taxing experience.
这文作者说虽然对粉丝很抱歉，但正传的特效和服饰他看着只能说马马虎虎甚至老旧。但小时候第一次在电影院里看的星战电影魅影危机，里边出现的奇妙的星球和飞船、以及对即将到来的宏大故事的暗示对他来说却是很棒的太空歌剧。结果发现老粉对这电影很反对，直接就产生了抵触心理。虽然能理解这系列对很多人的人生有影响，但粉丝层大到这种地步想要在里边找到自己的容身之处就会变得很累
这种观点感觉跟国内的不少影迷是很相似的，至少这边的粉丝对前传的世界观和光剑接受度都很高。EP1里的纳布水下世界、飞船往来的科洛桑、冈根人大战B1战斗机器人、达斯摩尔和绝地师徒的光剑战、少年阿纳金的飞船......跟正传有相似之处却给人耳目一新的感觉，不说的话都没法相信这其实是一个系列。
更别说之后EP3的克隆人和66号令设定，3D克隆人战争动画和陨落武士团游戏不少要素都围绕这2个设定展开足见其重要性
甚至达斯加加这种丑角，听说其实有外国小孩子也很喜欢这种角色。电影里最后帕德梅能拉到冈根人的救兵，加加也不是没有帮助。对付战斗机器人军团也是出了力的，外国星战婆罗门对一个子供向的搞笑角色恨之入骨实在是理解不能
那边婆罗门巴不得开除卢卡斯的作者籍，正好他本人也觉得没心力继续就卖给迪士尼了。这下好了，怀古婆罗门不是喜欢抗X神剧吗，就给你整个翻版新希望顺便把男主换成女主，经典黑罐头变成黑罐头的孙子。帝国变成第一秩序然后又有反抗势力跟他们打
然后后传怎么样也都看到了，在世界观的拓展上几乎为0，也就开罗人和蕾傲天的CP能卖卖了。虽然之后有曼达洛人这种好活，但在2.5季里也让卢克出场暗示可能要接EP8，卢克多半还是免不了变成个糟老头子
讲不好听一点，后传确实问题很大，但逼得这些编剧只敢从旧作品里挑素材甚至复刻正传电影的，难道不正是几乎惹不起的怀古粉吗？
最近追的《怪人开发部》里的干部有句台词，有时舍弃创造力只沿用过去的成功例对整体反而是损失
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发表于 2022-3-15 01:36
发表于 2022-3-15 16:49
